ARTISTIC STATEMENT
My practice is grounded in the circulation of images, gestures and motifs across different media. I generate my own visual material — through painting, filming, performance or digital manipulation — and observe how these elements mutate as they move from one medium to another. This process of translation never produces a fixed result; instead, it gives rise to hybrid bodies, unstable forms and shifting narratives.
Over time, this method allows me to construct a personal mythology, where images reappear, fragment and transform rather than conclude. My work often unfolds in serial or episodic forms, privileging duration and accumulation over resolution.
I have a strong interest in cinema, particularly in the role of light and its interaction with surfaces, materials and bodies. Light functions in my work as both a sculptural and narrative element, shaping perception and atmosphere.
My installations are conceived as ecosystems rather than isolated objects. They bring together moving images, painted elements, objects and live performers, creating environments in which each component affects the others. At this stage of my practice, I am less interested in producing finished works than in sustaining long-term experimental processes that remain open, porous and evolving.